Yo, ho, ho, mateys! These two wee mutineers are our FIRST pirates of the day! I love their matching head scarves! They're just like Ned's! And are those carrot swords? Arrrn't they cute? Thank you to Bekah for the darling photo!
Every Picture Tells A Story: The Writing in Pictures Exhibit at the California Center for the Arts, Escondido
"Children are made readers on the laps of their parents." - Emilie Buchwald
My mother was a voracious reader. Every week, we would go to the public library in downtown Mansfield to check out a new stack of books. Mom always let me wander through the stacks in the children's section. I'd sit on the floor and pull book after book off the shelves. When it was time to leave, she'd always have to cajole me to the checkout. We always left with a huge stack of books. Sometimes, though, I had to leave books behind because we had exceeded the checkout limit.
I'm eternally grateful to my mother for instilling in me her love of reading. It's a gift that I've tried to pass on to my own children as well.
Even though my children are proficient readers in their own right, we still read together at bedtime. Sometimes, we'll read a novel but more often than not, we read picture books.
On Friday, July 10, my family and I attended the Writing with Pictures Exhibit at the California Center for the Arts, Escondido. Curated by art director, designer and instructor, Joy Chu, Writing with Pictures is a multi-media exhibit that tells the story behind the creation of the picture book: why we love them, and their widening audience and role in the 21st century. This exhibition features original published artwork from local illustrators, and from artists working with local writers.
I am incredibly honored that my forthcoming picture book, Pirate's Lullaby: Mutiny at Bedtime, illustrated by the amazingly talented, Tim Bowers, is part of the exhibition. But the exhibit was particularly meaningful to me as a mom, a reader and a writer.
Even before I had children, I would sit in the children's section of the bookstore and read picture books. When my husband and I were dating, I even gifted him a couple. Now, that we have children, we fill our house with books. And my children love pouring over the Scholastic catalog just as much as I did at their age.
Many of the books in the Writing in Pictures Exhibition are family favorites - Weeds Find A Way is one of Claire's favorites while Luke enjoys Train Man, Bird & Squirrel and The Fartist.
At the exhibit, my children also discovered new books that they want to read. We've already requested Mummy Cat from our local library, for example. And both kids enjoyed identifying the celebrities in the non-fiction books illustrated by Kathryn Hewitt.
As a reader, I enjoyed seeing some of my favorite picture book art up close. There's something magical about the progression from rough sketch to final art. And being able to see the detail of the art and the brushstrokes up close? Magical!
As a writer, I appreciated getting a glimpse into the minds and hearts of some of the most talented people on this planet.
Whether you are an aspiring picture book writer who hopes to catch a glimpse into the process of creating a picture book, an art lover, or a reader looking for your next great read, you'll enjoy every minute of the Writing with Pictures Exhibition at the California Center for the Arts in Escondido. Open Thursday through Sunday, from July 11 until September 13, 2015.
Ahoy mateys! Pirate's Lullaby releases on August 25, 2015 but you can get a sneak peek on June 28th. I'll be reading at 4:30 p.m. at the Creative Youth Exhibit at the San Diego County Fair. Come and walk the plank! Make a pirate map and get a (temporary) tattoo!
On October 4, I was invited to share my path to publication story at SCBWI Agent's Day in Orange County. After the conference, I was interviewed by Steve Clark. We discussed how a flood, a case of Bell's Palsy, a little bit of luck and a whole lot of hard work contributed to the creation of my debut picture book, PIRATE'S LULLABY: MUTINY AT BEDTIME (Doubleday, August 25, 2015), illustrated by Tim Bowers.
Last weekend, I was invited to SCBWI's Agent’s Day in Orange County to share the story behind my debut picture book, PIRATE’S LULLABY: MUTINY AT BEDTIME (Doubleday, August 25, 2015), illustrated by Tim Bowers. I entitled my talk, How I Became a Pirate and Landed a Book Deal, for several reasons. Obviously, the book has a pirate theme, but the story behind my story involves....
...a whole lot of water
...a case of Bell’s Palsy
...a little bit of luck and a lot of hard work.
At the conference, I encouraged my fellow writers to embrace the pirate’s life. I wasn’t suggesting that we all head for the open seas; instead, I wanted everyone to think and act like a pirate.
You see, pirates weren’t afraid of the unknown. If they were, they never would have sailed beyond the next horizon. The work was hard, the dangers many, the rewards few - yet the men (and women) who became pirates did so because they loved the adventure. They took pleasure in the journey and were spurred on by the promise of reward.
Being a pirate, though, was hard work. The bulk of one’s day involved doing general maintenance on the ship - patching sails, splicing worn ropes, swabbing the deck – tasks that needed to be done to ensure their vessel was seaworthy. Quarters were cramped, food was scarce and you put your life at risky daily. And for what? The mere possibility of reward and the odds were stacked against you.
Being a writer is a lot like being a pirate. Like pirates, writers need to put aside their fear of the unknown. They must work hard at their craft, weather rejection and compete for the much treasured opportunity of having a book published. Are the odds any better for writers? No, but like all pirates know, the journey is worth the effort.
So, me hearties, Be brave. Be bold. Be yourself. But be a pirate too. Take the risk. Conquer your fear. Set out for the unknown. You never know what treasure the future might hold. And oh, the adventures you can have along the way!
Last week, there were nine different wildfires in San Diego. Two of the largest fires were just a few miles from our home. Ever the Girl Scout, I decided to gather important documents and papers in case we received evacuation orders. In addition to birth certificates, Social Security cards and copies of our insurance policy, I packed up my baby book, old family pictures, my children's artwork, and keepsakes from my childhood such as this gem, which was written when I was in first grade.
I'm relieved to say that we did not have to evacuate. The firefighters did an amazing job of putting out the fires.
As we unpacked and reorganized, I was surprised by two things: how much stuff we have (yikes!) and the choices I made. When faced with the prospect of losing everything, I reached for sentimental things that can't be easily replaced - things that conjure up memories of family, friends, and days gone by.
We were lucky.
Others in San Diego were not.
If you'd like to help with the relief effort, The American Red Cross and The Salvation Army are accepting donations. Make sure you indicate that you want your donation to be earmarked for San Diego County Fire Relief.
Andrea Zuill, author/illustrator of WOLF CAMP (Schwartz & Wade, 2016), invited me to participate in the Writing Process Blog Tour. Andrea and I met two years ago when we were both enrolled in Writing Children’s Picture Books, a class offered by Sarah Tomp and Andrea Zimmerman through the USCD Extension. The idea for my debut picture book, PIRATE’S LULLABY (Doubleday, Spring 2015), originated in that class.
What am I currently working on?
I’m revising three different manuscripts right now. I’m also working on a cowboy themed bedtime book.
How does my work differ from others of its genre?
There are lots of books about pirates. There are even a few bedtime pirate books, but what makes PIRATE’S LULLABY unique is the humor, the rhyme and the surprise ending.
Why do I write what I write?
PIRATE’S LULLABY is the book that I wish I had had for my son when he was a baby. On his first Halloween, we dressed him like a pirate.
I searched high and low for a bedtime book featuring pirates and there wasn’t one.
PIRATE’S LULLABY is also very much the product of the adage – “write what you know”.
Write what you know? I’m sure you’re thinking what could Marcie possibly know about being a pirate.
Well, nothing. And everything.
I began writing PIRATE’S LULLABY when my daughter was three. At the time, she LOVED to procrastinate at bedtime.
“One more book, Mama?”
“Can I have a drink, Mama?”
“It’s too dark in here, Mama.”
“Where’s Jaggy (her stuffed jaguar), Mama?”
You get the idea. Her antics made their way into PIRATE'S LULLABY.
As for the pirates, the day before my daughter’s third Halloween, I developed Bell’s Palsy, temporary paralysis of the facial nerve, which caused the left side of my face to droop. I couldn’t smile. I had trouble eating and drinking and my left eye would not close on its own. I ended up wearing an eye patch for about a month and looked very much like a pirate.
But what does Bell’s Palsy have to do with writing?
Having Bell's Palsy helped me with my revisions – it was my version of “method acting”. At the beginning of November, when I was still wearing the eye patch, I received feedback from my lovely editor, Frances Gilbert. She liked the idea of my story but suggested that I try and make it even more “pirate-y”. Ironically, that was easier for me than Frances could have ever expected. Since I looked like a pirate, I decide to talk like a pirate. And talking and acting like a pirate helped me create the final version of PIRATE’S LULLABY.
How does my individual writing process work?
PIRATE’S LULLABY started with a line, but a line does not a story make. I had to think about character and plot. My daughter helped with the character portion of the story. To develop the plot, I created a basic outline of what I wanted to happen. And then, the hard work began!
PIRATE’S LULLABY is written in rhyme and I spent the majority of my time working on the meter. One of the best resources for learning how to write in rhyme is Dori Chaconas’ site. I particularly like to use her method of diagramming the stressed and unstressed beats of a line to smooth out the meter.
Once I have a draft, I take it to my critique group and then go through rounds and rounds of revision.
An essential part of my revision process is creating a dummy or storyboard. It’s a great tool to ensure that a story has good pacing. When I dummied the original version of PIRATE’S LULLABY, I realized that I had two characters stuck in a room. There was no movement, no action, no reason for the reader to turn the page. In short, there was very little for the illustrator to illustrate.
And speaking of illustrators…I am THRILLED to announce that the amazingly talented, Tim Bowers, will be illustrating PIRATE’S LULLABY. Also from Ohio (I’m originally from Mansfield), Tim has illustrated over 35 books, including two New York Times bestsellers: Dream Big, Little Pig! by Kristi Yamaguchi and Dinosaur Pet by Neil Sedaka and Marc Sedaka. My manuscript couldn’t be in better hands. I love Tim’s whimsical characters, their depth and texture, their humorous expressions, and the bright, vibrant colors he uses. Here's an example from Dinosaur Pet.
Up next on the Writing Process Blog Hop are THREE new friends! Each of my friends will answer the same four questions I answered above. Click on the author's name to get to her blog. Look for their answers next week, Monday, May 26th.
Born and raised in New Orleans, LA, Keila Dawson is the author of THE KING CAKE BABY (Pelican Publishing, Spring 2015), a fractured fairy tale, pitched as The Gingerbread Man with a New Orleans twist. If you've ever had king cake, you'll know just how delicious this book is going to be.
Wife of Christopher, Anika is the author of Pigs Love Potatoes (Philomel), Bella and Stella Come Home (Philomel), BAKING DAY AT GRANDMA'S (Philomel) and MONSTER TRUCKS (Harper Collins), illustrated by Nate Wragg. She is also the co-founder and editor of the popular children's book blog, The Little Crooked Cottage.
Fellow San Diegan, Melissa Wiley is the author of more than a dozen books for kids and teens, including her newest, Inch and Roly and the Sunny Day Scare (Simon and Schuster), illustrated by Ag Jatkowska. Melissa is an amazing home-schooling mom who also blogs about her adorable kids and her family's reading life at Here in the Bonny Glen.
Aren't I lucky to have such talented friends? I can't wait read their answers to the Writing Process Blog Hop questions!
Were you one of those kids who always knew what you wanted to be when you grew up? Not me! I entertained a lot of possibilities – nurse, business woman, pharmacist – but I ended up becoming a teacher. I don’t think that I ever wanted to teach per se, but teaching allowed me the opportunity to be close to books.
I have my mother to thank for my love of books. She was an avid reader and we went to the library every week. Until I was six and able to write my name, I had to check out books on her library card. This meant there was a limit on the number of books I could check out. What a wonderful day it was when I finally got my own card! I no longer had to share but could take out the maximum number allowed.
“No one but a reader wants to become a writer,” said Peck.
I’m sure that he shared other tidbits about writing, but I’m embarrassed to admit that I don’t remember anything else. I was dumbstruck by what he said. I felt that he was speaking about me. Maybe being a writer is something that I’ve always secretly wanted. I certainly love books and admire authors. But I don’t think writing was every presented as a career opportunity. Now that my first children’s picture book, A PIRATE’S LULLABY: MUTINY AT BEDTIME, will be published by Doubleday (Spring 2015), I guess it is!
Last Friday, my family and I had the chance to meet two local authors at their garden-themed book event at Yellow Book Road. Cindy Jenson-Eliott and Edith Hope Fine, read their books, Weeds Find a Way and Water, Weed and Wait to an enthusiastic crowd of children and parents.
Cindy’s book celebrates the unexpected beauty of weeds while Edith’s book pays homage to school gardens as a community building activity.
It was a joy to watch Cindy and Edith read. My children and I also enjoyed the gardening activities that they planned. My daughter brought home a seed packet and dried fennel to replant. I wrote a haiku poem.
Wind-sewn seeds aloft!
Sunbeams chase away the rain.
Beauty in the dirt.
On the car ride home, my family and I talked about what fun we had at the event.
My five year old daughter enjoyed meeting “Miss Cindy” and “Miss Edith”.
“I want to be a "draw-er" (illustrator) when I grow up,” she said.
“Like Miss Salina?” I asked. (She met Salina Yoon at her book event at Barnes and Noble a few months ago)
“Yes,” she said. “And I want to write the words, too. Like Miss Cindy and Miss Edith.”
I knew that I was fortunate to be part of a writing community. SCBWI is filled with creative and enthusiastic men and women and the camaraderie is like nothing I’ve experienced before. But after last Friday’s event, it struck me that I should be grateful to my writing friends for something else - for being such wonderful role models for my daughter. I want her to know that she can grow up to be anything she wants to be…including a draw-er (illustrator) and writer. It’s something that I didn’t know when I was a child.
So thanks Salina, Cindy and Edith for planting the seed of a dream. I can’t wait to see how my daughter blooms and grows.
Bedtime. Just about every parenting book advises parents to establish a regular bedtime routine. Ours has been pretty much the same since our children were born - bath time, books, then bedtime. Recently, I noticed the dynamic changing a bit. My children still take a nightly bath and we still read books, but now that both of the kids can read, they want to read to us instead! My five year old daughter still snuggles up on my lap, but my soon-to-be eight year old son no longer fits (although he occasionally tries). I think we must look something like this!
What made you want to write for children?
I've been "reading" since I was maybe four and alphabet savvy. To my father's horror, I carefully spelled out, "N-O-R-T-H-E-R-N T-I-S-S-U-E" and proclaimed, "Toilet paper!" I read voraciously as a kid and remember one bad night when I was at the end of my bed reading Nancy Drew in a patch of light from the hallway. Someone turned the light off. I think it took me half an hour to get brave enough to crawl up the bed and under the covers for safety. Tapping childhood memories and feelings, plus years of teaching and reading books aloud to my students and my own darlings, all led me to writing for children.
What inspired you to write Sleepytime Me?
There's nothing in the world like holding a baby or grand baby and reading aloud. I'd nailed a title, Yawn Around Town, and a rhythmic refrain, "Yawn around, yawn around the sleepytime town," back in the early 90's. I'd yawn while writing, a good sign for parents in a bedtime story, that's for sure. And we all know yawns are catching. (I yawned just now thinking about it--of course I'm an owl and it's close to midnight.) Sleepytime Me (oh-HO, I hadn't nailed the title) comes out from Random House this May. Yikes. Two decades. I gasped when I saw Christopher Denise's gorgeous illustrations. You can see samples at his website and on his blog. I'll be doing a "come in your p.j.s reading" at Yellow Book Road here in San Diego in May. Wear your fuzzy slippers.
Tell me about the revision process. Sleepytime Me has changed radically since its inception, no?
I love revision. Well, the end of revision. Yes, I tried a bunch of different ideas, from community helpers yawning to a yawn that showed on the page. What??!! None felt right. None worked. After starting with a manuscript of 1000+ words, I ended up with poetry and 132 words. Talk about paring.
What advice do you have for aspiring authors?
I taught writing for children with Judith Josephson through SDSU Extension for almost 20 years. There's so much to learn. I run the published members' group of our San Diego SCBWI (Society of Children's Writers and Illustrators) and somehow people find my name and ask me to meet them for coffee so I can tell them how to publish their book. The truth is that a person really wanting to write for children is doing her homework--reading in the field, talking with librarians, scouring bookstore bookshelves, joining SCBWI, entering writing contests, taking classes, and attending conferences. My best advice is don't just think about writing for kids. Start. Write. Write right now. Today.
What can we expect next from you?
Besides the monthly Grammar Patrol column for eFrog Press, I have two big projects on my plate right now (besides the teetery stack of 20 different half-baked manuscripts waiting for me to turn up the oven). I'm writing an eBook for tyro-novice-rookie folks who ache to write for children--the things that took me two years to figure out, they can learn in two minutes. Jump, Froggies! will be out this spring through eFrog Press.
The other is a student workbook to accompany my Cryptomania! Teleporting into Greek and Latin with the CryptoKids. As you know, I'm happy with my nose in a dictionary, thesaurus, or etymological dictionary, so the workbook has 100 extra roots in addition to the 200 basic Greek and Latin roots covered in the book. I pulled from my years of teaching to conjure up pages from which kids in grades 3–6 can learn cool roots that they'll use the rest of their lives--through high school and college and beyond. A huge undertaking, the pages have now been copy edited and are with the graphic designer and artist Kim Doner, who illustrated the book, for the spot art. Look at this adorable preview sketch of Alphy, the Microcyanosaurus in Greco-Roman garb! What a hoot.
Thank you, Edith!
Title: I Dare You Not To Yawn
Author and Illustrator: Written by Helene Boudreau, Illustrated by Serge Bloch
Publisher: Candlewick Press, 2013.
Genre: Picture Book
Themes: bedtime, procrastination, yawning
Opening/Synopsis: “Quick! Close your mouth! Especially if your eyes feel droopy, your shoulders feel sloopy, and your mouth feels like it wants to stretch open wide to let out a great big yawny yaaaaaaaawn – hey, you were supposed (to) hold it in! Oh, dear. You know what happens next, don’t you?
Boudreau and Bloch’s I Dare You Not To Yawn is a delightfully subversive bedtime book. Written like a quasi-how-to manual on bedtime avoidance, our young narrator, warns us that “yawns are sneaky”. According to him, it’s best to avoid snuggly things, cozy pajamas, bedtime stories and sleepy time songs, – or you’ll wind up in bed, wondering just how you got there. After exhausting (pun intended) a rather long list of possibilities, the little boy inevitably succumbs to sleep – yawns are sneaky that way! Boudreau’s light and playful tone is complemented perfectly by Bloch’s loose and expressive artwork. I dare you not to love this book!
Why I like this book: I Dare You Not To Yawn is one of the funniest bedtime books I’ve ever read. My kids loved it too. There are lots of opportunities to “ham it up” but, be forewarned, the giggles and the yawns are contagious!
Activities and Resources (click on question to link to answer):